Artwork<\/strong><\/h3>\u00a0<\/p>
The element that highly symbolizes the work of Yazid Oulab<\/strong> is very probably the \u201cAlif<\/strong>\u201c. The \u201cAlif\u201d is the link between the gesture and the spirit<\/strong>, but also between the different worlds and eras that inspire the artist, not only Western culture<\/strong> with mysticism of Judeo-Christian but also Arab culture<\/strong>. \u201cAlif<\/strong>\u201d is the first letter of the alphabet, the first letter of the name of Allah and also the first syllable of the verb \u201cto read, to learn\u201d, a sign of transmission of the divine word and knowledge<\/strong>. This small fundamental object of architectural constructions is also present in many mythologies<\/strong>, symbolizing destiny among the Greeks, protection among the Chaldeans and power among the Gauls. It is also the source of the oldest form of writing, the cuneiform writing<\/strong> of the Mesopotamians. The nails of Yazid Oulab are real pretexts for questioning the place of man in the universe<\/strong>, in the confrontation with cultures, eras and beliefs<\/strong> from which he is built or defined. For Art for All Yazid Oulab realizes a new version of his work, multiplied and sublimated in an equally symbolic trinary form.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t