Artwork<\/strong><\/h3>\n <\/p>\n
\u00ab Claude Gilli : comes from the sun and the sea; perception : that of saw blade; components : color with color, even more color, cut, poured, spread out, with density, with his own hand. Personally I like it \u00bb. <\/em>Arman, 1966.<\/strong><\/p>\nIn his work Claude Gilli<\/strong> reflects on sculpture as a constant dialogue between two and three dimensions.<\/strong> In the 1980\u2019s, after meeting with Michel Roudillon<\/strong>, Claude Gilli starts working on steel sculptures. He pro- gressively abandons woodworking to follow the path of cutting and welding steel.<\/strong> Many new perspectives open up to him, one of them is the possibility to conquer the outdoors by making monumental sculp- tures. His cuttings, incredible three-dimensional land- scapes<\/strong> in layers and painted in blue, green, yellow and pink are an explosion of colours<\/strong> and materials recal- ling the pop tendency of the Nouveaux Re\u0301alistes (New Realists)<\/strong> and a composition in the same vein as Wesselmann<\/strong>. He may figure feminine nudes<\/strong>, bottles or layered Mediterranean landscapes<\/strong>, they all remind us of Nice, the blue sky of the Riviera, that will always be tied to Claude Gilli\u2019s work.<\/p>\n\u2014<\/p>\n
Edition ART FOR ALL by Galerie Loft
\nPainted cast metal
\nH.16 x L. 13 x P. 3 cm \u2013 550 gr.
\nSigned in the mold and numbered in 500 copies.
\nDim. of the box \u00a0(with protective case) : H. 22,5 x L. 16 x P. 5 cm<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t