Description
Artwork
« Vigor, balance, majesty, interior light emanating from an admirable structuration: the master’s signature is there, identified by the orthogonal momentum and by the subtle alternation of curved planes and straight lines. Facing the sculpture, we get the insidious but very insistent feeling that the author of this composition is imbued with nostalgia for the epoch of cathedrals. »
Jean-Luc Épivent, revue L'Empreinte N°15, décembre 1991.
In the 90’s, Francesco Marino di Teana conceives compositions where the elements are liberated from their physical properties. Thanks to his work on the cognitive space, he reworks geometrical shapes of apparent simplicity that hide an incredible complexity in their arrangement.
It’s the era of his most symbolic works such as Liberté (Liberty). Erected in 1990 in a 20m high monumental format at Fontenay-Sous-Bois (France) the lines and voids of the work multiply to better create a ballet of extreme precision, exploring curves in the continuity of his researches on the disintegration of the circle. He hence reveals the movement and the rhythms that are able to be extracted from metal, be it in the shape of a gigantic monument of over 100 tons or a sculpture that can be held in the palm of our hand.
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Edition “Art For All” by Loft Gallery
1979-90 – ED. 2022
Chrome plated cast metal
H.20 x W. 10 x D. 9 cm
1100 grams
Edition of 300 copies.
Dim. of the box with protective case : H. 24 x W. 14,5 x D. 12 cm
Video
Presented at ART PARIS ART FAIR 2019, this video provides an insight into Marino di Teana’s creative process.
Additional information
Weight | 1100 g |
---|---|
Dimensions | 20 × 10 × 9 cm |
Material | Cast iron |
Tirages | Edition of 300 |
Signature | Signed with the artist's stamp |
Year | 1979-90 |
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