Artwork
“Bernard Quentin what have you just done? Well I’ve simply blown up a balloon and given it life. It’s a simple envelope that takes a shape and evolves. Since I can’t represent reality as I see it, I try in fact to apprehend in a tactile manner, the intimate rhythms, even the great cosmic rhythms and all the mystery of biology.” (Interview with Bernard Quentin, INA, 1968.)
Bernard Quentin’s researches on pneumatic struc- tures bring him to be in the 1960’s the first designer to conceive seats entirely inflatable and without holding structures. With this line of work he then develops, from 1966, the Molecul’Air idea, infla- table structures made from an agglomeration of spheres, in the manner of a cloud of atoms suscep- tible to be transformed into a piece of furniture or even a house. His Molecul’Air armchair, hybrid piece between sculpture and furniture expresses maybe better than any other work the poetry, the magic, and the futurism of Bernard Quentin’s work. Artwork imagined in 1966, its technical complexity did not permit the edition of it till today. Beyond that, its innovative strength and crazy modernity have remained intact. With the idea in mind of revealingit to the great public, the artist wished to include it in the Art For All collection just before leaving us.
Exhibition
2021, AERODREAM, Centre Pompidou-Metz , France
2020, Le siège se révolte, Musée Saint Quentin, Yvelines, France
—
Edition “ART FOR ALL” by Galerie Loft Paris
1966 – Ed. 2020
Inflatable PVC furniture
H.60 x L.150 x D.112 cm
H. of the seat : 40 cm
Edition of 600 copies
Signed below
Dim. of the box : H. 23 x L. 48 x P. 27,5 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
In the 1960’s, BERNARD QUENTIN creates his first inflatable sculptures (Cybules)after having realized that a 20th century artist should work with new materials of his time and try, with his vision of the world, to maybe modify it or create objects at an industrial scale. He will be the first designer to conceive inflatable armchairs, they will be shown in 1963 by the Iris Clert gallery in Paris during an exhibition that had futuristic ambitions (the sitting room of the year 2104), then at the New York international fair of 1964 before being mass produced by Plasteco Milano in Italy. In the process Bernard Quentin designed a set of inflatable architectures, cars and furniture including the“Croissant” (Half-Moon) Armchairreleased by Printemps which had been chosen to dress the bar of the French Pavilion at the Montreal Universal Exhibition in 1967 before joining the collections of the Center Pompidou. Bernard Quentin has always had the ambition to make art accessible to everybody, his works such as this “croissant” (Half Moon) armchair is in perfect accordance with the Art For All concept. It’s very natural that these inflatable pieces joined the Art For All collection, especially as it symbolizes a historic turning point in the democratization not only of art but also of contemporary design.
—
Collection of Centre Pompidou (2007) & Musée national d’art moderne
Presentation of the permanent collections (contemporary collections), National Museum of Modern Art , Paris, France, 01 April 2007 – 01 April 2009
Building the air: Málaga, Center Pompidou Málaga, Spain, 8 November 2018-10 February
New waves: Toulon, Cercle naval de Toulon, France, June 27, 2019 – November 24, 2019
—
Edition “ART FOR ALL” by Galerie Loft Paris
1963 – Ed. 2019
Inflatable PVC furniture
Colored PVC
Edition of 600 copies
H. 60 cm x D.100 cm
H. of the seat : 30 cm
Titled, signed, dated and numbered
Dim. of the box : H.24 x L. 43 x D. 14 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
In the 1960’s, BERNARD QUENTIN creates his first inflatable sculptures (Cybules)after having realized that a 20th century artist should work with new materials of his time and try, with his vision of the world, to maybe modify it or create objects at an industrial scale. He will be the first designer to conceive inflatable armchairs, they will be shown in 1963 by the Iris Clert gallery in Paris during an exhibition that had futuristic ambitions (the sitting room of the year 2104), then at the New York international fair of 1964 before being mass produced by Plasteco Milano in Italy. In the process Bernard Quentin designed a set of inflatable architectures, cars and furniture including the“Croissant” (Half-Moon) Armchairreleased by Printemps which had been chosen to dress the bar of the French Pavilion at the Montreal Universal Exhibition in 1967before joining the collections of the Center Pompidou. Bernard Quentin has always had the ambition to make art accessible to everybody, his works such as this “croissant” (Half Moon) armchair is in perfect accordance with the Art For All concept. It’s very natural that these inflatable pieces joined the Art For All collection, especially as it symbolizes a historic turning point in the democratization not only of art but also of contemporary design.
—
Collection of Centre Pompidou (2007) & Musée national d’art moderne
Presentation of the permanent collections (contemporary collections), National Museum of Modern Art , Paris, France, 01 April 2007 – 01 April 2009
Building the air: Málaga, Center Pompidou Málaga, Spain, 8 November 2018-10 February
New waves: Toulon, Cercle naval de Toulon, France, June 27, 2019 – November 24, 2019
—
Edition “ART FOR ALL” by Galerie Loft Paris
1963 – Ed. 2019
Inflatable PVC furniture
Colored PVC
Edition of 600 copies
H. 60 cm x D.100 cm
H. of the seat : 30 cm
Titled, signed, dated and numbered
Dim. of the box : H.24 x L. 43 x D. 14 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
In the 1960’s, BERNARD QUENTIN creates his first inflatable sculptures (Cybules)after having realized that a 20th century artist should work with new materials of his time and try, with his vision of the world, to maybe modify it or create objects at an industrial scale. He will be the first designer to conceive inflatable armchairs, they will be shown in 1963 by the Iris Clert gallery in Paris during an exhibition that had futuristic ambitions (the sitting room of the year 2104), then at the New York international fair of 1964 before being mass produced by Plasteco Milano in Italy. In the process Bernard Quentin designed a set of inflatable architectures, cars and furniture including the“Croissant” (Half-Moon) Armchairreleased by Printemps which had been chosen to dress the bar of the French Pavilion at the Montreal Universal Exhibition in 1967before joining the collections of the Center Pompidou. Bernard Quentin has always had the ambition to make art accessible to everybody, his works such as this “croissant” (Half Moon) armchair is in perfect accordance with the Art For All concept. It’s very natural that these inflatable pieces joined the Art For All collection, especially as it symbolizes a historic turning point in the democratization not only of art but also of contemporary design.
—
Collection of Centre Pompidou (2007) & Musée national d’art moderne
Presentation of the permanent collections (contemporary collections), National Museum of Modern Art , Paris, France, 01 April 2007 – 01 April 2009
Building the air: Málaga, Center Pompidou Málaga, Spain, 8 November 2018-10 February
New waves: Toulon, Cercle naval de Toulon, France, June 27, 2019 – November 24, 2019
—
Edition “ART FOR ALL” by Galerie Loft Paris
1963 – Ed. 2019
Inflatable PVC furniture
Colored PVC
Edition of 600 copies
H. 60 cm x D.100 cm
H. of the seat : 30 cm
Titled, signed, dated and numbered
Dim. of the box : H.24 x L. 43 x D. 14 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
“Bernard Quentin what have you just done? Well I’ve simply blown up a balloon and given it life. It’s a simple envelope that takes a shape and evolves. Since I can’t represent reality as I see it, I try in fact to apprehend in a tactile manner, the intimate rhythms, even the great cosmic rhythms and all the mystery of biology.” (Interview with Bernard Quentin, INA, 1968.)
Bernard Quentin’s researches on pneumatic struc- tures bring him to be in the 1960’s the first designer to conceive seats entirely inflatable and without holding structures. With this line of work he then develops, from 1966, the Molecul’Air idea, infla- table structures made from an agglomeration of spheres, in the manner of a cloud of atoms suscep- tible to be transformed into a piece of furniture or even a house. His Molecul’Air armchair, hybrid piece between sculpture and furniture expresses maybe better than any other work the poetry, the magic, and the futurism of Bernard Quentin’s work. Artwork imagined in 1966, its technical complexity did not permit the edition of it till today. Beyond that, its innovative strength and crazy modernity have remained intact. With the idea in mind of revealingit to the great public, the artist wished to include it in the Art For All collection just before leaving us.
Exhibition
2021, AERODREAM, Centre Pompidou-Metz , France
2020, Le siège se révolte, Musée Saint Quentin, Yvelines, France
—
Edition “ART FOR ALL” by Galerie Loft Paris
1966 – Ed. 2020
Inflatable PVC furniture
H.60 x L.150 x D.112 cm
H. of the seat : 40 cm
Edition of 600 copies
Signed below
Dim. of the box : H. 23 x L. 48 x P. 27,5 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
“Bernard Quentin what have you just done? Well I’ve simply blown up a balloon and given it life. It’s a simple envelope that takes a shape and evolves. Since I can’t represent reality as I see it, I try in fact to apprehend in a tactile manner, the intimate rhythms, even the great cosmic rhythms and all the mystery of biology.” (Interview with Bernard Quentin, INA, 1968.) Bernard Quentin’s researches on pneumatic struc- tures bring him to be in the 1960’s the first designer to conceive seats entirely inflatable and without holding structures. With this line of work he then develops, from 1966, the Molecul’Air idea, infla- table structures made from an agglomeration of spheres, in the manner of a cloud of atoms suscep- tible to be transformed into a piece of furniture or even a house. His Molecul’Air armchair, hybrid piece between sculpture and furniture expresses maybe better than any other work the poetry, the magic, and the futurism of Bernard Quentin’s work. Artwork imagined in 1966, its technical complexity did not permit the edition of it till today. Beyond that, its innovative strength and crazy modernity have remained intact. With the idea in mind of revealingit to the great public, the artist wished to include it in the Art For All collection just before leaving us. Exhibition 2021, AERODREAM, Centre Pompidou-Metz , France 2020, Le siège se révolte, Musée Saint Quentin, Yvelines, France — Edition “ART FOR ALL” by Galerie Loft Paris 1966 – Ed. 2020 Inflatable PVC furniture H.60 x L.150 x D.112 cm H. of the seat : 40 cm Edition of 600 copies Signed below Dim. of the box : H. 23 x L. 48 x P. 27,5 cm Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
“Bernard Quentin what have you just done? Well I’ve simply blown up a balloon and given it life. It’s a simple envelope that takes a shape and evolves. Since I can’t represent reality as I see it, I try in fact to apprehend in a tactile manner, the intimate rhythms, even the great cosmic rhythms and all the mystery of biology.” (Interview with Bernard Quentin, INA, 1968.)
Bernard Quentin’s researches on pneumatic struc- tures bring him to be in the 1960’s the first designer to conceive seats entirely inflatable and without holding structures. With this line of work he then develops, from 1966, the Molecul’Air idea, infla- table structures made from an agglomeration of spheres, in the manner of a cloud of atoms suscep- tible to be transformed into a piece of furniture or even a house. His Molecul’Air armchair, hybrid piece between sculpture and furniture expresses maybe better than any other work the poetry, the magic, and the futurism of Bernard Quentin’s work. Artwork imagined in 1966, its technical complexity did not permit the edition of it till today. Beyond that, its innovative strength and crazy modernity have remained intact. With the idea in mind of revealingit to the great public, the artist wished to include it in the Art For All collection just before leaving us.
Exhibition
2021, AERODREAM, Centre Pompidou-Metz , France
2020, Le siège se révolte, Musée Saint Quentin, Yvelines, France
—
Edition “ART FOR ALL” by Galerie Loft Paris
1966 – Ed. 2020
Inflatable PVC furniture
H.60 x L.150 x D.112 cm
H. of the seat : 40 cm
Edition of 600 copies
Signed below
Dim. of the box : H. 23 x L. 48 x P. 27,5 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!
Artwork
“Bernard Quentin what have you just done? Well I’ve simply blown up a balloon and given it life. It’s a simple envelope that takes a shape and evolves. Since I can’t represent reality as I see it, I try in fact to apprehend in a tactile manner, the intimate rhythms, even the great cosmic rhythms and all the mystery of biology.” (Interview with Bernard Quentin, INA, 1968.)
Bernard Quentin’s researches on pneumatic struc- tures bring him to be in the 1960’s the first designer to conceive seats entirely inflatable and without holding structures. With this line of work he then develops, from 1966, the Molecul’Air idea, infla- table structures made from an agglomeration of spheres, in the manner of a cloud of atoms suscep- tible to be transformed into a piece of furniture or even a house. His Molecul’Air armchair, hybrid piece between sculpture and furniture expresses maybe better than any other work the poetry, the magic, and the futurism of Bernard Quentin’s work. Artwork imagined in 1966, its technical complexity did not permit the edition of it till today. Beyond that, its innovative strength and crazy modernity have remained intact. With the idea in mind of revealingit to the great public, the artist wished to include it in the Art For All collection just before leaving us.
Exhibition
2021, AERODREAM, Centre Pompidou-Metz , France
2020, Le siège se révolte, Musée Saint Quentin, Yvelines, France
—
Edition “ART FOR ALL” by Galerie Loft Paris
1966 – Ed. 2020
Inflatable PVC furniture
H.60 x L.150 x D.112 cm
H. of the seat : 40 cm
Edition of 600 copies
Signed below
Dim. of the box : H. 23 x L. 48 x P. 27,5 cm
Inflate & Deflate Electric Air Pump inclus (230V, Type C)
Video
Discover Bernard Quentin’s passion for air and pneumatic structures through these examples of modernity and poetry!