Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the ti-woocommerce-wishlist domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/artforall/preprod.artforall.fr/releases/8/wp-includes/functions.php on line 6114
Art Magazine : La “réalité” métaphorique de Philippe Huart – Art For All
Skip to content Skip to footer
Art Magazine : La « réalité » métaphorique de Philippe Huart

” Par ses œuvres hyper-réalistes, l’artiste joue des double-sens, nous offrant un zoom sur les ambiguïtés de la représentation et leur interprétation.

Que l’on ne s’y trompe pas, derrière les toiles à la touche réaliste extrême et à la finition parfaite de Philipe Huart, une autre réalité se crée. À travers les objets du quotidien qu’il peint « tant pour leur dimension esthétique que symbolique », l’artiste dévoile l’envers du décor. Une lecture à double sens où l’image lisse contraste fortement avec le sujet peint. Pour autant, Philippe Huart constate et nous donne à voir, mais nous laisse totalement libres de l’interprétation….”

Par Gabrielle Gauthier

See-No-Evil_2007-huile-sur-toile-130x97cm, Philippe Huart
See No Evil, 2007, Oil on canvas, 130x97cm, Philippe Huart
oeuvres

Cet artiste vous propose

l'artiste
Philippe Huart was born in 1953 in Clamart (France). After studying at the Superior School of Modern Arts in Paris, he became an illustrator and graphic designer for literary and phonographic editions. In 1991 he decided to devote himself to painting and then participated in numerous exhibitions, individual or collective in France and abroad. He was inspired by the effects of advertising, marketing and consumption. His painting is based on the concept of “objective reality”. Pictorial perception is above all “visual”. It is linked to forms and rhythms. The works of Philippe Huart are not only everyday objects, but a “symbol”. These symbols, trivialized by their accumulation and frequency within our environment, of which only the juxtaposition and the superposition of their enlarged fragments would allow us to perceive them from a new angle, both surprising and familiar.